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Savage Seamless Blue Mist

Savage Seamless: Primary Red

Savage Seamless: Cocoa

Savage Seamless: Tulip

Savage Seamless: Pecan

Savage Seamless: Canary Yellow

Savage Seamless: Sky blue

Savage Seamless: Fashion Grey

Savage Seamless: Blue Jay

Savage Seamless: Ruby

Savage Seamless: Deep Yellow

Savage Seamless: Olive


  • Why do you choose Canon over other brands?
    As a professional photographer, I prefer Canon for its renowned color science, producing natural and pleasing skin tones, which is vital for portrait photography. Canon's user-friendly design and extensive lens lineup, including exceptional prime lenses, offer versatility and creative freedom. The brand's Dual Pixel Autofocus technology ensures reliable autofocus performance, while the comprehensive ecosystem of accessories caters to various photography needs. Canon's reputation for durability and reliability provides peace of mind during professional use.
  • What do you carry in your camera bag?
    In my camera bag, I carry a variety of essential items to ensure I'm prepared for any photography situation: Camera body: I usually have at least one main camera body, sometimes a backup body for emergencies or different shooting scenarios. Lenses: A selection of lenses that cater to my specific photography needs, such as a wide-angle, standard, and telephoto lens. Memory cards: Multiple memory cards with varying capacities and a card holder to keep them organized and protected. Spare batteries: At least one or two extra batteries for my camera, as well as a charger. Lens cleaning kit: A microfiber cloth, lens cleaning solution, and an air blower to keep my lenses clean and free from dust. Filters: A set of filters, including a polarizing filter, UV filter, and neutral density filters, depending on my shooting needs. External flash: A speedlight or external flash for situations where I need additional lighting or want to control the light creatively. Flash modifiers: Items like diffusers or reflectors to soften or direct the light from my flash. Remote shutter release: A wireless or wired remote shutter release for long exposures or when I want to minimize camera shake. Tripod: A compact and sturdy tripod to provide stability during long exposures or to capture consistent angles. Rain cover: A camera rain cover to protect my gear during inclement weather. Lens and body caps: Spare lens and body caps to protect my equipment when lenses are not attached. Miscellaneous items: A notepad and pen for taking notes, a multitool or small set of tools for minor repairs, and a few ziplock bags for organizing small items or protecting gear from moisture. This list covers the essential items I carry in my camera bag, but the contents may vary depending on the specific requirements of each photography session or assignment.
  • If you could afford to buy one lens, what would you buy?
    If I could afford to buy only one lens, I would invest in a versatile and high-quality standard zoom lens, such as the 24-70mm f/2.8. This lens covers a wide range of focal lengths from wide-angle to short telephoto, making it suitable for various photography genres, including portraits, landscapes, street photography, and events. The 24-70mm f/2.8 offers a constant and relatively fast aperture, allowing for greater creative control and better low-light performance compared to variable aperture zoom lenses. It is an excellent choice for photographers looking for a single lens that can handle a wide range of situations without sacrificing image quality or flexibility.
  • Do I really need expensive gear to get professional quality photos?
    While having expensive gear can provide certain advantages, it is not a strict requirement to capture professional-quality photos. The most important factor in creating high-quality images is your knowledge, creativity, and skill as a photographer. Here are some reasons why you don't necessarily need expensive gear to produce professional-quality photos: Skill and technique: Understanding photography fundamentals, such as composition, lighting, and exposure, is critical to creating exceptional images. With strong photography skills and a creative vision, you can make the most of any camera or lens, regardless of its price. Lighting: Proper lighting can make a significant difference in the quality of your photos. Even with an entry-level camera, you can achieve professional results by understanding how to manipulate and control light, both natural and artificial. Post-processing: Skills in post-processing and image editing can greatly enhance your photos, allowing you to get the most out of your images regardless of the gear used. This includes techniques such as color correction, exposure adjustments, and retouching. Gear limitations: While high-end gear offers certain advantages, such as better low-light performance, faster autofocus, or higher resolution, these features may not always be necessary for the type of photography you are doing. In many cases, you can achieve professional results with more affordable equipment. The right tool for the job: Investing in the right gear for your specific photography niche or style is more important than simply purchasing expensive equipment. For example, a fast prime lens might be a better investment for a portrait photographer than a high-end zoom lens. Ultimately, your ability to capture professional-quality photos largely depends on your skills, knowledge, and experience as a photographer. While having expensive gear can provide certain benefits, it is not a prerequisite for creating exceptional images. Focus on honing your craft and understanding the equipment you already have to maximize your results.
  • What lenses do you use for your studio photography?
    For studio photography, I would typically use two versatile zoom lenses to cover a wide range of focal lengths and creative possibilities: the RF 70-200mm f/4.0 and the RF 24-70mm f/2.8. 70-200mm f/4.0: This telephoto zoom lens offers a versatile range of focal lengths, making it ideal for various types of studio photography, such as portraits, fashion, and product photography. Its f/4 aperture may not be as fast as some prime lenses, but in a controlled studio environment with ample lighting, it provides excellent sharpness, detail, and consistent performance throughout the zoom range. The lens's compression effect is particularly useful for creating flattering portraits and isolating subjects from the background. 24-70mm f/2.8: This standard zoom lens covers a versatile range of focal lengths from wide-angle to short telephoto, making it suitable for a variety of studio photography needs, including portraits, group shots, and product photography. The f/2.8 aperture provides a shallower depth of field and better low-light performance compared to the f/4 version, which can be beneficial in achieving more creative effects and enhanced subject separation in your images. Both the 70-200mm f/4.0 and the 24-70mm f/2.8 lenses provide flexibility and convenience in a studio environment, allowing you to adapt quickly to different subject matter, compositions, and creative styles without needing to switch between multiple prime lenses. Their performance in a controlled studio setting is more than adequate for most photography needs, and the faster aperture of the 24-70mm f/2.8 adds an extra layer of creative potential.
  • What lenses do you use for your on-location photo shoots?
    For on-location photo shoots, I would typically bring two prime lenses with me: the RF 50mm f/1.2 and the RF 85mm f/1.2. These lenses provide outstanding image quality, fast apertures, and excellent low-light performance, making them versatile and reliable options for various photography genres. 50mm f/1.2: This lens is often referred to as the "nifty fifty" because it provides a natural field of view that closely mimics human vision. Its fast f/1.2 aperture allows for excellent subject isolation and beautiful bokeh, making it an ideal choice for portrait, street, and lifestyle photography. Additionally, the wide aperture provides excellent low-light performance, which is beneficial when shooting outdoors in challenging lighting conditions. RF 85mm f/1.2: This lens is a popular choice for portrait photography due to its flattering focal length and ability to create a shallow depth of field, resulting in stunning subject separation and smooth bokeh. The f/1.2 aperture also enables exceptional low-light performance and faster shutter speeds to freeze motion when necessary. The RF 85mm f/1.2 is especially suitable for headshots, half-body portraits, and capturing intimate moments during events or weddings.
  • What is your favorite light modifier?
    I've used a variety of lighting modifiers over the years, but my favorite has to be the Glow EZ 38" Deep Parabolic Softbox. Its lightweight and quick-release design makes it easy to set up and tear down on location, which is essential for on-the-go shoots. It also provides excellent light contrast and dramatic lighting, which is perfect for creating dynamic images. Overall, it's a versatile and reliable lighting modifier that I would highly recommend to any photographer.
  • What is the first modifier a portrait photographer should purchase?
    As a first modifier for portrait photographers, I would recommend starting with a medium-sized octabox, around 36 inches (90 cm) in diameter. The octabox is an eight-sided softbox that produces a pleasing, soft, and even light, which is ideal for portraits. Here's why the medium octabox is an excellent choice for portrait photographers: Soft, diffused light: The octagonal shape of the octabox produces a more wrap-around light than a rectangular or square softbox, creating soft, flattering light and smooth transitions between highlights and shadows on your subject's face. Catchlights: The octagonal shape of the octabox also generates natural-looking catchlights in your subject's eyes, which can add life and depth to your portraits. Versatility: A medium-sized octabox is versatile enough for various portrait styles, including headshots, half-body, or even full-body portraits when placed at the right distance. Portability: While larger softboxes may produce even softer light, a medium-sized octabox is more portable and easier to handle, especially for those who are new to using modifiers.
  • What is your go-to camera?
    As a professional photographer, I would choose the Canon EOS R because of its full-frame 30.3-megapixel sensor that delivers outstanding image quality and excellent dynamic range. The camera's dual-pixel autofocus system is fast and accurate, which is beneficial when capturing moving subjects or shooting in low-light conditions. The fully articulating touchscreen on the EOS R is a significant advantage for composing shots at various angles, and it's particularly helpful when shooting video or taking self-portraits. Additionally, the Canon RF lens lineup is constantly expanding, providing a wide range of high-quality lenses to choose from.
  • What do you carry inside your camera bag that isn't a camera/lens related?
    As an expert photographer, there are several essential non-camera/lens-related items that I carry in my camera bag to ensure I am prepared for various shooting situations and to help maintain my gear. Here are some of those items: Extra batteries: For both my camera and any other battery-powered accessories, such as flashes or remote triggers. Memory cards: Multiple memory cards in case one gets full or malfunctions. Microfiber cloth: To clean the camera body, lenses, filters, and screens. Lens cleaning kit: A kit with a lens cleaning solution, blower, and brush to keep my lenses free from dust, smudges, and fingerprints. Multi-tool: A small, compact multi-tool for making quick repairs or adjustments to gear. Gaffer tape: A versatile and indispensable item for securing cables, attaching gels to lights, or making temporary repairs. Small flashlight: Useful for working in low-light conditions, such as setting up equipment or finding items in the camera bag. Portable power bank: To recharge smartphones, tablets, or other USB-powered devices during long shoots.
  • What type of background is better for beginners?
    For beginners, it's generally best to start with a simple, versatile, and cost-effective background that can be used across various photography genres. One such background is a seamless paper backdrop. Here are some reasons why a seamless paper backdrop is an excellent choice for beginners: Affordability: Seamless paper backdrops are relatively inexpensive compared to other professional background materials, making them a budget-friendly option for those just starting out in photography. Variety: Seamless paper backdrops are available in a wide range of colors, allowing you to experiment with different tones and moods to match your creative vision. Portability: These backdrops are lightweight and easy to transport, making them ideal for photographers who need to move between different shooting locations.
  • What's best to invest in first, good lights or good modifiers?
    I would advise that investing in good lighting equipment should be your first priority, followed by good light modifiers. The reason for this is quite simple: light is the foundation of photography, and having good quality and controllable light sources will significantly improve your results in various shooting situations. That being said, here are some reasons why prioritizing lighting equipment is crucial: Versatility: High-quality lighting equipment offers a wider range of options for controlling light output, color temperature, and beam angle. This versatility allows you to create the desired mood, depth, and contrast in your images. Consistency: Investing in good lights means that you'll have consistent and reliable performance. This is important for achieving accurate color rendition and exposure in your photographs. Adaptability: Good lighting equipment can be used in various scenarios – from studio settings to outdoor locations. This adaptability will enable you to handle a broader range of photography projects and improve your skills across different genres.
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